Online Exhibition Learning Project

RSS Feed
 by The Collection  | Category:
  • Art.IWM ART LD 783. Squadron Leader G L Denholm, DFC, 1940, Thomas Cantrell Dugdale

    Art.IWM ART LD 783. Squadron Leader G L Denholm, DFC, 1940, Thomas Cantrell Dugdale

  • Art.IWM ART LD 485. An Aerial Battle, 6 September 1940, Francis Dodd

    Art.IWM ART LD 485. An Aerial Battle, 6 September 1940, Francis Dodd

  • Art.IWM ART 17748. Untitled, c.1940, Eileen Agar

    Art.IWM ART 17748. Untitled, c.1940, Eileen Agar

This collaborative digital Exhibition Learning Project explores, interprets and responds to a selection of art works that reflect upon the 80th anniversary of the Battle of Britain. This blog page contains further information on the central, selected artworks from the Imperial War Museum.

We have brought together works from the Imperial War Museum and our own collection at The Collection and Usher Gallery to showcase and explore the huge variety of art work made during the Second World War to mark this tremendous event in British aviation history.

Over the next 8 weeks, we will add links from the Main Page to online projects and learning resources created by the Investigate Learning Team.

At the culmination of the 8 weeks, the Main Page will be archived under our website section 'Previously' and will stay available as a Learning Resource for all.


Art.IWM ART 17748
Untitled, c.1940
By Eileen Agar
Gouache on board
© The Estate of Eileen Agar / Bridgeman Images

About the artist
Eileen Agar was born in Buenos Aires, Argentina, and moved to Britain in 1911. She attended the Slade School of Art before studying in Paris, eventually settling in London in 1930. Agar was one of the few female artists selected for the ground-breaking ‘International Surrealist Exhibition’ in London in 1936. During the Second World War, she worked in a canteen in Savile Row by day and served as a fire watcher by night. Agar struggled to work on her painting during this period exclaiming in her writings, ‘How does one communicate with any subtlety when the world is deafened by explosions?’

About the image
An outline reminiscent of a prehistoric mammoth dominates the foreground of this painting. Ships’ masts and rigging, small boats and shell-like shapes can be seen in the background alongside camouflaged RAF aircraft wings. The overall composition is framed by wavy blue shapes, perhaps in reference to the sea surrounding the island of Britain. This Surrealist painting fuses both natural and man-made elements, and old and new, to bring together land, sea and air.

During the summer and autumn of 1940, the pilots of RAF Fighter Command, flying iconic aircraft including the Hurricane and Spitfire, defended the skies over Britain against the German Luftwaffe during the Battle of Britain. This major air campaign was fought above southern England, over stretches of coastline which Agar frequented on holiday with fellow artists and friends. Agar’s retreat was now under severe threat.


Art.IWM ART LD 783

Squadron Leader G L Denholm, DFC, 1940
By Thomas Cantrell Dugdale
Oil on canvas

About the artist
Thomas Cantrell Dugdale was born in Blackburn, Lancashire and studied in Manchester, London and Paris. During the Second World War, he served as a platoon leader for the Home Guard in Suffolk and was commissioned by the War Artists Advisory Committee to produce portraits of notable servicemen and women.

About the image
This portrait depicts Squadron Leader George Lovell Denholm, nicknamed ‘Uncle’, who flew Spitfires during the Battle of Britain. He led No. 603 Squadron which had been redeployed from its base in Edinburgh to RAF Hornchurch in August 1940 to take part in operations over southern England. Despite being shot down twice, Denholm returned to the skies and was awarded the Distinguished Flying Cross (DFC) for his service. His citation in the London Gazette on 22 October 1940 reads:
“Since the commencement of hostilities, Squadron Leader Denholm has led his squadron, flight or section in innumerable operational patrols against the enemy. His magnificent leadership has contributed largely to the success of the squadron, which has destroyed fifty-four enemy aircraft in about six weeks; four of these aircraft were destroyed by Squadron Leader Denholm himself.”
Denholm is shown wearing a leather flying jacket and red and white striped cravat. His jacket falls open to reveal his newly-acquired DFC ribbon bar above his left breast pocket.

Nearly 3,000 RAF servicemen took part in the Battle of Britain. While most of the pilots were British, many came from all over the Commonwealth and occupied Europe - from Poland, New Zealand, Canada, Czechoslovakia (now Czech Republic and Slovakia), Belgium, Australia, South Africa, France, Rhodesia (now Zimbabwe), Barbados and Jamaica. There were even some pilots from neutral Ireland and the United States (before the US joined the war in 1941).


Art.IWM ART LD 485

An Aerial Battle, 6 September 1940
By Francis Dodd
Oil on canvas

About the artist
Francis Dodd was born in Holyhead in Anglesey, Wales. He studied at the Glasgow School of Art where he was awarded a travelling scholarship, venturing to France and Italy. He was commissioned as a war artist in both the First and Second World Wars and became a member of the Royal Academy in 1935. He lived in Blackheath, London, until his death in 1949.

About the image
In this scene, a black cat sits on a garden wall seemingly unaware of the recent aerial dogfight which has taken place in the skies above. The aircraft themselves are not visible but their weaving white contrails reveal the tight manoeuvres made between the RAF Fighter Command and German Luftwaffe. Dodd’s scene conveys the simultaneous proximity and distance of the Battle of Britain; aerial combat is evident in the sky but life goes on below.

The RAF pilots who fought during the Battle of Britain were supported by thousands of servicemen and women on the ground. In this painting, numerous barrage balloons are shown floating above the trees. Operated by RAF Balloon Command, barrage balloons were used to protect cities from air attack. They forced German aircraft to operate at higher altitudes, reducing the accuracy of their bombing and bringing them within range of anti-aircraft guns. 


This Online Exhibition Learning Project was initiated by the Learning and Exhibitions Teams at The Collection Museum, with support from The Mighty Creatives, Arts Council and the Imperial War Museum Battle of Britain Partnership.

Working together to provide learning experiences are:

- The Investigate Learning Team and Exhibition Team of Lincolnshire County Council
- The Creative Collective of The Collection Museum and Usher Gallery
- Paradigm Arts
- The Investigate Aviation Learning team, as part of the Arts Council Museums and Schools Project and in collaboration with the Aviation Heritage Lincolnshire Partnership.


The Imperial War Museum Battle of Britain partnership project was made possible with Art Fund support. The aim was for three Battle of Britain artworks to be displayed at four distinctive venues throughout 2020, alongside unique works from each of the partners' collections, each display exploring and illustrating a different, locally-relevant perspective on Second World War aviation.
Due to the restrictions caused by the Covid-19 pandemic, our physical exhibition and learning project was cancelled but now exists entirely online.

More information about this partnership programme can be found here.



There aren’t any comments for this blog yet

Add your own comment

Please Note: All fields are required and your email will not be displayed.

Type the characters you see in the picture above.

Latest tweets

Follow us…